Filtering by: Italian Baroque

Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)
Nov
14
4:00 PM16:00

Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)

From the works of Cozzolani, Caccini, and Strozzi, to the texts of New World visionary Sor Juana de la Cruz, we’ll explore themes of femininity, culminating in a performance of Pergolesi’s Stabat Mater. Featuring an all-women-of-color roster of artists.

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Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)
Nov
13
7:00 PM19:00

Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)

  • Jamaica Performing Arts Center (map)
  • Google Calendar ICS

From the works of Cozzolani, Caccini, and Strozzi, to the texts of New World visionary Sor Juana de la Cruz, we’ll explore themes of femininity, culminating in a performance of Pergolesi’s Stabat Mater. Featuring an all-women-of-color roster of artists.

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Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)
Nov
12
7:00 PM19:00

Open Gates Project: The Divine Feminine - Centering Women of Color in Early Music (Soloist, Ensemble)

From the works of Cozzolani, Caccini, and Strozzi, to the texts of New World visionary Sor Juana de la Cruz, we’ll explore themes of femininity, culminating in a performance of Pergolesi’s Stabat Mater. Featuring an all-women-of-color roster of artists.

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Voices of Ascension: Baroque Spectacular (Ensemble)
Jan
29
7:30 PM19:30

Voices of Ascension: Baroque Spectacular (Ensemble)

Voices of Ascension

Dennis Keene, Artistic Director and Conductor

Works by Purcell, Monteverdi, Schütz, Bach, Gibbons, Palestrina and others

One of the most varied and lively programs we have ever presented, featuring many of the greatest names of Early Choral Music. Cathedral anthems by Purcell, brilliant chamber works of Monteverdi, polychoral music by Schütz, anthems and motets by Gibbons, Palestrina and J. S. Bach himself.

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